found rabbit

also relevant is t.s. eliot's reply when asked the
meaning of the line 'lady, three white leopards
sat under a juniper tree in the cool of the day...'
from ash wednesday: "it means 'lady, three white
leopards sat under a juniper tree in the cool of the
day...'"

musicappreciationrecs.com

Wardenclyffe Grand Opening and Group Show

wardenclyffegallery:

Thursday, March 29th, 7-11 pm.

Featuring the work of:

Charlie Alvarado
Ariele Baragona
Laurel Barickman
Austin Buckingham
Kyle Carter
Taylor Channing
Brent Chesnutt
Chris Davis
Keely Dowd
Baylor Estes
Stephen Fishman
Linda Flores
Frederick Follmer
Zak Loyd
Sierra Joy
Lauren Kochavi
Justin Kyle
Melissa Murray
Micah Nelson
Tyler Norton
Marlon Paine
Jes Painter
Eric Peana
Cecelia Phillips
Katie Rose Pipkin
Kevin Pope
Jen Rachid
Andrew Riggins
Vanessa Rosetto
Emily Royall
Abbey Lee Sarver
Connor Shea
Miriam Weber
Tamara Becerra Valdez
Matt Zito

theinfinitegeneration:

the problem with internet poetry this year was this notion of “breaking free of shackles”—of form, of structure, of language, whatever. the shackles were broken already. what we need to do in 2012 is fix them.
artists in the 10s, as i see it, need to be the exact opposite of beatniks. ginsburg and kerouac had to go wild and crazy to escape the crushing banality of the 50s mainstream. but the 10s mainstream is wild and crazy. what artists today need to escape is not crushing banality but crushing insanity.
artists need shackles. we have always needed them, and in the 10s we need them more than we ever have. the world is chaos. at every moment we are in danger of dissipating. being an artist in the 10s ought to mean being someone who is strong enough inside to withstand that dissolving force, and is dedicated to making art that somehow confers that strength on others.
the image of wild bohemianism we see in music videos and in nylon magazine or whatever—that image is so much more seductive and pernicious than “selling out” could ever be. artists in the 10s need to be strong enough to resist it. artists in the 10s ought to have unapologetically unsexy lives—ought to wear ties, have respectable bourgeois jobs (if possible), ought to go to bed before 11.
in summary: what we need is discipline. start by resolving this new years to only have four tabs open at a time.
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theinfinitegeneration:

the problem with internet poetry this year was this notion of “breaking free of shackles”—of form, of structure, of language, whatever. the shackles were broken already. what we need to do in 2012 is fix them.

artists in the 10s, as i see it, need to be the exact opposite of beatniks. ginsburg and kerouac had to go wild and crazy to escape the crushing banality of the 50s mainstream. but the 10s mainstream is wild and crazy. what artists today need to escape is not crushing banality but crushing insanity.

artists need shackles. we have always needed them, and in the 10s we need them more than we ever have. the world is chaos. at every moment we are in danger of dissipating. being an artist in the 10s ought to mean being someone who is strong enough inside to withstand that dissolving force, and is dedicated to making art that somehow confers that strength on others.

the image of wild bohemianism we see in music videos and in nylon magazine or whatever—that image is so much more seductive and pernicious than “selling out” could ever be. artists in the 10s need to be strong enough to resist it. artists in the 10s ought to have unapologetically unsexy lives—ought to wear ties, have respectable bourgeois jobs (if possible), ought to go to bed before 11.

in summary: what we need is discipline. start by resolving this new years to only have four tabs open at a time.

(Source: popserial)

killedincars:

Here’s a mix I made today. It’s mixed into one track, and since 8tracks doesn’t accomodate that format, you’ll just have to download it.
Jacqueline Taieb - Maman Jusqu’ou To M’aimesThe Shangri-Las - What Is Love?Sylvie Vartan - Par Amour, Par PitieUnknown - PolisarioOidupaa Vladimir Oiun - Have You Seen KodergrenAmps for Christ - AFC Tower SongTwinsistermoon - Bride of the SpiritsIrr. App. (Ext.) - Perekluchenie - The Stairway to the Blue Light SubsidesOlivia Block - Mobius Fuse 2Kiyoko Itoh - 私が街を歩く時Vanessa Rossetto - Make Good Use of the GroundFranz Liszt - Deuxieme ElegieEva-Maria Houben - Three Lullabies IAnnie Guthrie - Annie Laurie II
View high resolution

killedincars:

Here’s a mix I made today. It’s mixed into one track, and since 8tracks doesn’t accomodate that format, you’ll just have to download it.


Jacqueline Taieb - Maman Jusqu’ou To M’aimes
The Shangri-Las - What Is Love?
Sylvie Vartan - Par Amour, Par Pitie
Unknown - Polisario
Oidupaa Vladimir Oiun - Have You Seen Kodergren
Amps for Christ - AFC Tower Song
Twinsistermoon - Bride of the Spirits
Irr. App. (Ext.) - Perekluchenie - The Stairway to the Blue Light Subsides
Olivia Block - Mobius Fuse 2
Kiyoko Itoh - 私が街を歩く時
Vanessa Rossetto - Make Good Use of the Ground
Franz Liszt - Deuxieme Elegie
Eva-Maria Houben - Three Lullabies I
Annie Guthrie - Annie Laurie II

stages of courtly love

mediumaevum:

  • Attraction to the lady, usually via eyes/glance
  • Worship of the lady from afar
  • Declaration of passionate devotion
  • Virtuous rejection by the lady
  • Renewed wooing with oaths of virtue and eternal fealty
  • Moans of approaching death from unsatisfied desire (and other physical manifestations of lovesickness)
  • Heroic deeds of valor which win the lady’s heart
  • Consummation of the secret love
  • Endless adventures and subterfuges avoiding detection

mathieu ruhlmann: 20 Notes on Sound

mathieuruhlmann:

(adapted from robert bresson’s ‘notes on the cinematographer’)

  • apply myself to insignificant (nonsignificant) sounds
  • a whole made of good sounds can be detestable
  • catch instants. spontaneity, freshness
  • someone who can work with the minimum can work with the most. one who can with the most…
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